Walking with family and friends: King's Cross to Hampstead Heath... and beyond

Saturday January 18, 2025.

Keilyn and I headed off to London, earlier than usual, as we were to meet my friend who was travelling to King's Cross from Peterborough.

As we reached Northwick Park Keilyn took a photo of one of only four remaining K8 telephone boxes left on the London Underground.

Our timing was almost perfect with Keilyn and I exiting onto King's Cross plaza just ten minutes after Gary. After a walk through St Pancras International we began our walk. 

We headed north along Midland Road and onto Pancras Road, where we stopped at St Pancras Old Church to see the remains of the Hardy Tree. The graves that the ash once stood over are now covered in weeds, while the Hardy Tree lies in pieces on the grass. Such a loss.

We left St Pancras Gardens and followed Camley Street which led us to Murray Street, our route taking us ever northward. Camden Square brought us onto Camden Road, where we turned onto Royal College Street. It was here we discovered 'Dots Music'. The steps, to the shop, were painted like piano keys, so Keilyn pretended to play them.

Up Royal College Street we went, before finding ourselves on Kentish Town Road where we stopped to grab a hot drink each, from an independent coffee stall.

After spotting a camel, on Highgate Road, we noticed a LFB Fire Investigation van, with its occupant in a white coverall, which fascinated Keilyn. We passed Parliament Hill School and William Ellis School, before we turned in to Hampstead Heath, where school children of all ages were playing rugby, while their parents watched on. Other people were using the running track as we dodged the joggers and dog walkers.

We left Hampstead Heath, via Savernake Bridge, and headed along Roderick Road, at the end of which, on the other side of Mansfield Road, was the London School of Mosaic, which is situated in 'Waxham House'. It was here that we made the mistake of turning left, following Mansfield Road onto Gordon House Road. Eventually we reached Highgate Road, where we turned left. Keilyn started laughing as we approached a LFB Fire Investigation van, with its occupant in a white coverall, as she had realised, long before us, that we had taken so many left turns that we had completed a circle!

Model Village, Vauxhall Park

It was while on one of my many walks that I discovered Vauxhall Park and, by extension, this model village. 

There are only about six homes and three smaller buildings, but it is quite a nice thing to discover.

With the other work going on in the park I assumed that this was a new installation, as the buildings looked freshly painted and maintained. It wasn't until I did some research, for this blog post, that I discovered their remarkable history. Enjoy.

In the 1950s this model village was moved from its original home, in Brockwell Park, and placed in Vauxhall Park. The buildings are signed and dated, on the inside, by Edgar Wilson, 1943. Edgar Wilson, who lived in West Norwood, was a retired engineer who took up making model villages, among other things, in his later years. He tinted the concrete and etched the brick, timbers and roof tiles by hand and used lead for the windows and doors. Originally this village was created in the Tudor style, with white walls and black timbers. 

In 2018, the houses were given a 'Suffragette' makeover, using a purple, green and white colour scheme. These colours were chosen as the model village now resides on the Fawcett Garden, which is named for Millicent Garrett Fawcett. 

A small heart-shaped plaque states:

Friends of Vauxhall Park

These model houses were made for Vauxhall Park

In 1949 by Edgar Wilson of Norwood.

He made other sets of houses but only these

And a set in Melbourne, Australia, remain.

These houses were restored in 2001

By local resident and friend of Vauxhall Park,

Mr Nobby Clark.

They were unveiled in June 2001

By local MP for Vauxhall Ms Kate Hoey.

Edgar Wilson made three of these villages.

One village, at Finsbury Park, was vandalised and fell into disrepair, with nothing of the village remaining today.

The village at Brockwell Park decayed due to a lack of care and, I believe, just a few shells of the original buildings remain.

Following World War II, Edgar Wilson had been so touched by food parcels, sent from Australia, that he wrote to them and asked if they would like a model Tudor village for their city. They accepted and so the third village was crated and shipped to Melbourne, Australia, where it was installed in Fitzroy Gardens. It is still there to this day.

'Vitreous Enamel' by Dale Devereux Barker RE

Walking along Cloister's Walk, in St Katharine Docks, you will discover a plethora of bright panels fixed into the arches that separate Cloister's Walk from St Katharine's Way.

There are one hundred and thirty five of these panels, with nine panels per arch.

Some of the designs are repeated, but sometimes with a different colour. However, each tells a story.

Dale Devereux Barker RE was commissioned for this project by Taylor Woodrow Properties, back in 1998. 

Victoria Park Cemetery: Meath Gardens

Headstones.

Victoria Park Cemetery opened in 1845 and was the last of the eight private garden cemeteries to open.

The cemetery was unconsecrated and, when it opened, had two chapels, designed by the architect Arthur Ashpitel, 

The great Gothic archway.

The great Gothic archway, restored in 2017, still stands at one of the entrances emblazoned with 'VPC 1845'.

During its short existence over 300,000 bodies were interred here, with three-quarters of them being children.

Although well-managed initially, it was a poor financial venture and became insolvent in 1853, leading to its closure in 1876.

Headstones.

Following its closure the monuments were cleared... But, the bodies were never removed.

Japan House: 'Looks delicious! Exploring Japan's food replica culture' exhibition

Japan House, on Kensington High Street, is the cultural home of Japan, in London. Set across three floors Japan House offers a glimpse into the culture and history of Japan, with a shop, restaurant and an exhibition space.

The current exhibition concerns the history and manufacturing of food replicas, that can be seen in the windows of tea rooms and restaurants, across the 47 prefectures of Japan.

Each replica is highly detailed and, although its manufacture has changed throughout the years, looks realistic, in thanks to the craftsperson that create these masterpieces.

The original replicas were made from hot coloured wax, which were cast from agar moulds and then painted. 

With the growing demand for food replicas, in the 1970s, PVC was used instead of wax, which allowed for greater detail and durability, but the manufacturing process remained the same.